Another pieced transfer for the Photo Central show. Not sure if I am using this one or not.
This is a mockup of a large piece for the Photo Central show and example for my upcoming transfer workshop there. The entire piece will be 3'x2' in size, and the image will be transferred onto white acid-free tissue paper. Each vertical strip is a separate transfer. When you overlap transfer pieces, you will get the darker bands.
At some point, I will get some photos of transfers posted so that you can see the actual transfer process.
For the next month, Reecho will be on display at the Sun Gallery as part of the It May Not Match Your Furniture show.
I have been on a blog hiatus for a while because I have been super busy. I had a back-to-back book signing and show for the Reecho work. Funny how after a long lull these two events are one day apart.
Trying some experiments with the Reccho series inspired by the Textile Art of Lisa Call.
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This one started as a digital flag book mock-up. Somehow, it took a left-turn and turned into this long narrow image. Maybe, I will print this on sumi paper and make a flutter book instead.
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reecho
-verb (used without object)
to echo back, as a sound
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Just for fun, check out The Epic of the Ilfordians.
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This is a pastel portrait of Bodie. I made this pastel portrait as part of my online class on using Corel Painter through Better Photo. It took MUCH too long to complete and I had to go into Photoshop to fine-tune the colors. You cannot see on the web but there is purple shadows that are lost by the color conversion to sRGB.
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I am still experimenting with Painter. This process is reallly leaving the look of a gum bichromate print. I changed my approach to keep the painted layers brighter and this resulted in a lot more color.
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Tried again with a violet underpainting. I think that the composition is too weak so will move on to another image.
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Another try at the digital gum bichromate process. I am still working on my palette. I am not there yet but working my way through near misses.
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Another try with the digital simulation of gum bichromate printing. I do not have the color palette correct yet.
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I have started a year-long workshop with Ted Orland and David Bayles. Wow! I am very excited and little nervous to get started. We had our first meeting yesterday. I proposed my project as a portfolio of small intimate B&W landscapes from Sunol Regional Park. While at our meeting, I decided with gulp that I would do a book. Well, consider this image my leaping off point. I wanted to colorize my images ala Brian Taylor’s work with gum bichromate. After looking at how gum bichromate processing works, that is not for me. Way too fussy and hands on.
So, I set out to invent my own version using Photoshop and Corel Painter. This is my second piece (the first is not public). I started with charcoal sketches in Corel Painter. Those sketches were tinted with gold, green and blue. I then blended the tinted images in Photoshop using the Multiply blending mode. The Multiply blending mode simulates multiple exposures in camera. Then, I did tonal adjustments and color tweaks in Photoshop. The image was not working for me. So, I added solarized coloring.
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Work has been very busy but I am going to catch up on my posting. I hope to go out and collect new images this weekend. Here is a composite of the door to the Cantor Museum in Stanford along with a Sunol shot.
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With no new images this weekend, I decided to create one.
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This is an image for a class assignment. I am taking a Photographic Style course. I chose a subject area of intimage infrared landscapes. The assignment is produce images in three different styles for our subject area.